

They ended up auditioning 206 actors before circling back to the annoying superhero who already knew he was perfect for the part. Though Schmidt Hissrich admitted that Cavill was "annoying," she met with him anyway and couldn't get his voice out of her head as she was writing. He started campaigning for the part before showrunner Lauren Schimdt Hissrich had even written the pilot script. But despite being a massive gamer and Witcher fanatic, Cavill had his work cut out for him in attempting to secure the leading role in The Witcher. You wouldn't think that Superman would need to audition for a part in a TV series. Henry Cavill stars in The Witcher (2019). Henry Cavill had to fight pretty hard for his part in The Witcher. "I just knew immediately that we would work together." 2.
#The witcher tv series professional
"I had met Anya on her first-ever professional audition for another project," Holland told Metro UK. Casting director Sophie Holland knew that, despite being an unknown, Anya Chalotra was the perfect actor to play Yennefer.
#The witcher tv series series
While it's more common to secure a star for a series and then begin building a cast around them, The Witcher didn't work that way. Anya Chalotra was cast in The Witcher before Henry Cavill. Plus, as the worm in your ear probably knows, it comes with a killer soundtrack. It all adds up to a TV series that is both schlocky and intense and the kind of show one might call a " guilty pleasure" (if anything pleasurable could be considered guilty anymore). The show follows the witcher Geralt of Rivia (Cavill), a magical hunter of grotesque monsters whose destiny is tied to Princess Ciri (Freya Allen) but who keeps regularly running into sorceress Yennefer of Vengerberg (Anya Chalotra) because of a spell. Also: Its meme-ified dedication to showing off a shirtless Henry Cavill's bathtub routine. Which obviously also ties into The Witcher relationship that Tomasz Baginski has with Netflix, which is quickly becoming a go-to spot for higher-end video game adaptations, with Assassins Creed also on the way, as well as the Splinter Cell series, and animated takes on Tomb Raider and Devil May Cry, among others.Ĭheck out the trailer for The Medium below to get a better sense of the tone.The Witcher-the Netflix series based on Andrzej Sapkowski's fantasy book series, which spawned a popular video game franchise-became an immediate pop culture phenomenon when it debuted in December 2019 thanks to its pulpy monster-killing and dark fantasy setting. While no TV or streaming platforms were reported just yet, the fact that Babieno namechecks two gamer-friendly animated shows specifically from Netflix, Cyberpunk: Edgerunners and Arcane, certainly add a bit of speculation fuel to the idea that the mega-company would also put their money and effort into The Medium. The whole team working on the concept of the series felt that they were working on something special, we hope to defend you. Participation in the creative supervision of such an important figure in Polish cinematography as Tomasz Bagiński proves that we want to create something truly amazing.

The latest hits of streaming platforms based on games such as Cyberpunk: Edgerunners or Arcane have shown that this is the perfect time for such productions. The story we told in the game was appreciated by players, and now more people will be able to hear about it. Recurring visions, the death of a foster parent, and a mysterious man named Thomas all point Marianne in the direction of a murderous mystery that could help her learn where her powers came from, how they connect to something far older. The main character, Marianne, is a spirit medium who has various psychic abilities, as well as the power to travel between the normal world and the spiritual realm, which she uses to aid restless souls in need of closure. The game takes place in 1999, and is set in post-Communism Poland.

(Platige also worked on Wonder Woman, Antichrist and Melancholia, among other projects.)įor those who aren’t so familiar with The Medium and/or haven’t played it, the game’s core mechanic is definitely part of what makes this a lock for a live-action adaptation. The Platige Image team has been responsible for some of the effects work in The Witcher games, and also helped bring to life the 2002 short film, The Cathedral, which was written and directed by Tomasz Baginski, who is the aforementioned Witcher EP who will be spearheading this new project, according to PPE. Bloober Team - the studio behind such acclaimed hits as the super-scary Layers of Fear games, The Observer, and Blair Witch - is partnering up with the Polish visual effects company Platige Image for an episodic adaptation of The Medium, which was released to largely favorable reviews across various platforms in 2021.
